Description
Buddha 7″ diameter, F -4/B -10 Hz., circa 18th century
Buddha 7″ diameter, F -2/B -10 Hz., circa18th century
Buddha 7″ diameter, F# -4/C -10 Hz., Thick, circa 18th century
Buddha 7 1/8″ diameter, F# -4/C -10 Hz., circa 17th. century
Buddha 6 7/8″ diameter, G +2/C# +4 Hz., circa 18th century
Buddha 7 1/8″ diameter, G +4/C# +2 Hz., circa 18th century
Buddha 7 1/8″ diameter, TH, G# -8/D -8 Hz., circa 18th century
Buddha 7″ diameter, TH, G# -10/D -6 Hz., circa 18th century
Buddha 7 1/8″ diameter, XT, G# +8/D# -10 Hz., circa 18th century
Buddha 7″ diameter, XT, A +8/E -10 Hz., circa 18th century
Buddha 7 1/8″ diameter, XT, A +8/D# +10 Hz., circa 18th century
Void 7 3/8″ diameter, XT, Double-Blue, B -8/F -8 Hz., circa 18th century
Buddha 6 7/8″ diameter, XT, Hand wah-wah, B -8/F -8 Hz., circa 19th century
Special 6 5/8″ diameter, XT, Hand wah-wah, C -10/F# -6 Hz., circa 19th century
Void 7 1/2″ diameter, XT, Double-Blue, C# -8/G -8 Hz., circa 16th century
Void 7 3/4″ diameter, XT, Double-Blue, C# -10/G -6 Hz., circa 19th century
Special 6 1/2″ diameter, XT, Double-Blue, D -10/G# -10 Hz., circa 20th century
Special 7 1/2″ diameter, XT, Double-Blue, C# +10/G# -6 Hz., circa 18th century
Special 6 5/8″ diameter, XT, D# +10/A# -8 Hz., circa 17th century
LWTL 6″ diameter, D# +10/A -10 Hz., circa 18th century
About the sound sample: This remarkable set took two years to match, and it is completely unique from any set we’ve ever recorded. Hence its mix is unique, too.
In the first half of the recording, you hear the strikes of the matched pairs of the bowls about half a second apart, hit wth the wool end of a 30mm wool-padded mallet. Four single bowls are interspersed with the matched pairs as well.
In the second half of the recording, the isolated fundamental tones of each bowl ascend in the same order, played wth the leather end of a 30mm leather-padded mallet. But because the frequencies of each pair of singing bowls are so well matched, you can only tell when the second of the pair comes in by the shift in beat pattern it creates. This recording is 21 minutes and 24 seconds, the longest mix we have ever recorded. Enjoy!
These Master-quality® singing bowls are amongst the finest caliber of singing bowls available in the world. Master-quality® means that these bowls have passed stringent tests for authentic antiquity, harmonic balance of sound, smoothness and ease of playing, sound volume and long sustain.
Bodhisattva sets are used worldwide by healing professionals, musicians, composers and meditators who demand the absolute finest quality available.